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The Newest Release from Techonocats is Here!


Chris Glassman and the dynamic core TECHNOCAT musicians, guitarist Nathan Borton, and bassist Javier Enrique are joined by master musicians Walter Blanding, Skylar Tang, Bryn Roberts, and Keith Hall to give a fresh and engaging sound to this new album.


As each player contributes to the group’s evolving sound, creating a musical environment where written material can develop through interaction, while maintaining a clear sense of structure and purpose that brings excitement and pleasure to the ears of the listener.


Personnel:

Chris Glassman - Bass Trombone

Walter Blanding - Tenor & Soprano Saxophone

Skylar Tang - Trumpet

Nathan Borton - Guitar

Bryn Roberts - Piano

Javier Enrique - Bass

Keith Hall - Drums


Compositions: Gregg Hill

Arrangements: Chris Glassman, Nathan Borton, Javier Enrique & Micheal Reed

Produced by: Gregg Hill & Chris Glassman

Recorder & Mixed by: Eric Sills

Mastered by: Eric Sills

Recorded at: Stone Soup Recording Studios, Maumee, Ohio

Recording Date: August 15, 2025



Tracklist: 

  1. Normality — 5:12 Arr. by Chris Glassman | Featuring WalterBlanding

  2. Traffic Jam — 4:37 Arr. by Nathan Borton

  3. Not Van Morrison — 5:09 Arr. by Javier Enrique

  4. Horse Feathers — 4:24 Arr. by Chris Glassman

  5. Dancing Light — 6:08 Arr. by Javier Enrique

  6. Technocats — 5:43 Arr. by Chris Glassman

  7. The Race is On — 4:23 Arr. by Chris Glassman and JavierEnrique

  8. Passionata — 5:56 Arr. by Nathan Borton

  9. Nostalgia — 6:34 Arr. by Michael Reed

  10. Double Play (Bonus Track) — 4:07 Arr. by Chris Glassman 





Release date: August 28, 2026


 
 

June, 2026


Gregg Hill's 6th Book Distant Valley!

Hot off the Press!


Distant Valley Book VI is a playful and imaginative collection of original jazz compositions by Gregg Hill that blends music, wordplay, and visual art into a single creative project. The concept began as an experiment: taking familiar musical terms and transforming them — through rearrangement or embellishment — into whimsical, character-like names or fantastical ideas.


Building on this idea, Hill composed a series of tunes inspired by these invented names and concepts. To bring them into a visual dimension, he collaborated with Michigan artist Dennis Preston, who created illustrations based on selected pieces. Their collaboration sparked a shared sense of humor and creative momentum, resulting in a finished volume that combines 34 jazz compositions with 18 original illustrations.


The book is not just a music collection but a multidisciplinary work that invites readers (and musicians) into a quirky, imaginative world where musical language becomes character and story. It hints at possible future expansions — perhaps even live interpretations of these characters — Enjoy the journey into Distant Valley!




 
 

Paris Move Review... "Indispensable"!
Paris Move Review... "Indispensable"!

by Thierry De Clemensat

Member at Jazz Journalists Association

USA correspondent for Paris-Move and ABS magazine

Editor in chief – Bayou Blue Radio, Bayou Blue News

May 6, 2025


Admittedly, I felt a flicker of hesitation when this album first landed on my radar. In the past two years, interpretations of Gregg Hill’s compositions have emerged with such relentless frequency that one could be forgiven for wondering whether we were witnessing the onset of creative saturation. Yet, against all odds, this latest release not only distinguishes itself from the crowded field, it quite possibly surpasses all previous efforts. What we encounter here is both one of Hill’s most visionary and majestic compositions to date, and a revelatory interpretation by a group of artists who manage to inhabit the work so completely that it feels newly born.

Their reading is nothing short of exhilarating, both modern in outlook and deeply resonant.


To pull off such a feat demands musicians of rare caliber, and in this instance, the ensemble that rises to the occasion may come as a surprise. The Dave Sharp WORLDS Quartet, known for its eclectic synthesis of jazz and global traditions, might not have been the obvious choice for an undertaking rooted in contemporary American jazz composition. And yet, it is precisely this unexpected pairing that yields a project of such striking originality. Drawing from a palette rich in jazz, world music, and classical nuance, the group delivers a work of remarkable depth and vitality, a genuine delight for the senses.





 
 
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